Sally O’Reilly asks some great questions on the publication of ‘After Ithaca’

Interview with dissent baker Vanessa Kimbell for Sheaf; Harvest 2022

ISignature essay that initiated a series of posts on life under lockdown at the start of the pandemic in 2020., A myth of regeneration that might make sense of our predicament.

In 2022 I co-produced Dark Mountain creative workshops centred around the. eight fires of the ancestral, solar year. Called How We Walk Through the Fire, this ensemble practice is now being created as a handbook. Here is our call out. Do come and join us!

An op-ed for New York Times from the London streets where the second Extinction Rebellion was taking the stage

A fugitive Interview with philosopher and writer Bayo Akomafe

Introduction to the first edition of ‘Sheaf’, co produced with Hodmeod in 2021

Dark Mountain: Issue 22 - ARK carries a cargo of testimonies, stories and artwork after the flood

Essay written from the ashes of Bprrowed Time - a symposium on death, dying and loss, hosted by art.earth in 2021

Excerpt from a mycelial conversation with the poet and ecological storyteller, Sophie Strand for the spring issue of Dark Mountain 21, shaped around the theme of confluence.

The Uneasy Chair is not really about teaching people to be professional writers, which god knows can be a tough and soulless way to earn your living in these days of spin and self-marketing. It is about writing as an existential practice, as a way of perceiving the world and your place in it, about putting your feet on the Earth and a crooked thing straight, about collaboration and time and imagination, and many other things besides.

Do get in touch if you like to contact me about my writing, or wish to find out about editing, teaching or speaking.